
Writer |Performer |Educator

ABOUT ME
Theresa is a Chicana writer and comedian whose work celebrates complex, grounded, and unapologetically funny women.
With roots in stand-up, improv, and sketch comedy, she infuses her writing with sharp wit, emotional depth, and a flair for the unexpected. Her stories often live at the intersection of feminism and magical realism, blending the domestic humor of Erma Bombeck, the mythic intimacy of Gabriel García Márquez, and the campy edge of John Waters.
Whether exploring sisterhood, faith, or identity, Theresa creates bold, irreverent narratives that center women’s voices and celebrate the messiness, resilience, and joy of womanhood.
Writer
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Performer
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Educator
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Cat Lady
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Writer · Performer · Educator · Cat Lady ·
Writing Samples available
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Feature Films
The Yes Feeling
Bitchcraft
St. Veronica’s School for Wayward Girls
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Television
The Kitty Kitty Club
GoGo Gonzalez and the A.V. Club
Brotherhood: SEOUL
Flor de Fuego
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Series Pitches
The Hemingway (Docuseries)
West of the Page (Docuseries)
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Teaching
The Evolution of SNL Comedy, Writing, and Feminism: The Impact of Female Performers and Writers
The Modern Late-Night Talk Show: Format, Writing, and Production
From Sketch to Screen: Analyzing SNL Sketches Turned Into Feature Films
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Projects
4 Speed Stampeed (Story Producer)
Summer 1989. Chicago, IL.
It was the early-late 1900s — a different time. I was a 13-year-old freshman going into high school. Fuzzy hair, Girbaud Jeans, glasses, and bangs. I was decidedly not fashionable, not glamorous. But like I said before, IT WAS A DIFFERENT TIME!
There were no beauty influencers. No tutorial videos. There. Was. No. Internet. If you were lucky, someone’s cool aunt would take you to “The Mall” for a makeup tutorial at Merle Norman, where a divorcee named Mandi-Lyn applied electric blue mascara and a frosted lip with a Marlboro Red dangling from her mouth.
It was the time of “The Supermodels” - Cindy, Linda, Naomi, and Christy - but before George Michael’s “Freedom 90” video - modern fashion’s Camelot.
Much like that video was an announcement to the world that a new George Michael was here, I was AWOKEN. Cindy Crawford hosted MTV’s House of Style. I pored over teen fashion magazines Sassy, YM, Seventeen, and the über cool Jane, each month.
When my mom took me shopping for school clothes, I had a binder of pages ripped out of magazines with outfit inspirations. I knew the power of beauty and glamour - and I knew I didn’t have it, but armed with those pages, I knew I would leave middle school behind. I would redefine myself. I would do it with fashion.
October 30, 1990. Chicago, IL.
It was a Tuesday. The Daily Top 10 Video Countdown was on - and then it premiered. The George Michael Freedom 90 Video. It was…no, it IS iconic. Fashion, grit, sex, and freedom all rolled into one gorgeous package. I may have been confirmed a Catholic, but fashion had become my God. And while I would miss the mark on many occasions, glamour was my guiding light.
As an MFA candidate, I’ve had the privilege of teaching at the University of Nevada, Las Vegas, one of the most diverse universities in the country. A designated Hispanic-Serving, Minority-Serving, and Asian American and Native American Pacific Islander-Serving Institution, UNLV’s student body reflects a rich tapestry of backgrounds. Over a third of students are first-generation, meaning they are the first in their families to attend college. Teaching in this environment has deepened my understanding of supporting various voices and perspectives.
In my teaching practice, I aim to create an inclusive and supportive environment that meets students where they are while encouraging them to grow. I want students to feel empowered to explore their creative potential and understand their unique voices. Students learn best when they feel safe to take risks, make mistakes, and experiment with new ideas. My classroom is a space where students cannot only develop the technical skills necessary to succeed as screenwriters but also cultivate their critical thinking, sense of self, and ability to defend and articulate their choices.
Many of these students, like myself, may have initially felt that a career in the arts was an impossible dream. By creating an environment where they feel seen, heard, and valued, I’ve witnessed these students push past their fears, take on challenges, and emerge as confident creators and thinkers. I encourage them to draw from their lived experiences and cultural backgrounds, knowing that their personal stories are valid and vital to the broader artistic conversation.
Ultimately, my teaching philosophy centers on fostering a creative community where students can connect with the work they’re most passionate about. Whether they are writing, performing, or creating, my role is to help them discover how art allows them to share their stories, express themselves fully, and find their place in the world. By providing students with the tools to articulate and defend their ideas, I’m helping them become better artists, thinkers, and communicators. I believe this is the foundation for success in their academic pursuits and the world beyond the classroom.